NEW YORK — You can’t think about Edward Hopper without thinking of mid-20th century New York: its shoulder-to-shoulder tenements, its bridges, its pharmacies, its lunch counters and late-night diners.

A new documentary film about the celebrated American artist, Edward Hopper, has just debuted with acclaimed reviews. Hopper: An American Love Story will have two exclusive screenings at The Park ...

In an age of the Museum of Ice Cream, of Immersive Klimt, and of the sprawling Meow Wolf empire, museums and art galleries that show plain old art are fighting for visitorship, straining to get ...

The Edward Hopper House Museum and Study Center in Nyack is a National Historic Landmark where the legacy of renowned artist Edward Hopper was born and continues to thrive. Edward Hopper lived in the ...

In Alex Ross’ lyrical essay about the films of Andrei Tarkovsky, he describes the ending of Tarovsky’s masterpiece about a medieval Russian icon painter: “Suddenly, a black-and-white screen is filled ...

To celebrate Edward Hopper’s 142nd birthday, the Whitney Museum of American Art hosted its second annual bike ride to the artist's birthplace. Cyclists in front of the Edward Hopper House, Nyack, New ...

A little boy was trying energetically to climb atop one of the two lions that have long “guarded” the Art Institute as people poured through the doors on Saturday, becoming the latest of the millions ...

Edward Hopper lived in New York City from 1908 until his death in 1967. He immortalized the urban landscape around him through art. Getty Images The Whitney Museum of American Art’s special exhibition ...

“Hopper: An American Love Story” will premiere at 8 p.m. Tuesday, Jan. 2, on New Mexico PBS, channel 5.1. The documentary follows the life of Edward Hopper, who traveled to New Mexico for inspiration.

The artist’s New Yorkiest survey yet is filled with revelations, showing how he created his own private mini-city, starting at his rooftop. By Karen Rosenberg See more of our coverage in your search ...

It’s no longer enough to like our favorite artists’ works. By putting on Hopper’s fedora, Picasso’s striped shirt, Warhol’s wig or Kahlo’s colorful couture, we want to become their avatars. By Blake ...