He may have sympathy for the devil, but when it comes to love he doesn't have a chance in hell. John Crace decodes the destiny of a desperate man Faust: I can't sleep / My prostate's playing up / And ...

Sara Holdren’s new production for Heartbeat Opera takes its lead from Bulgakov’s Faustian novel “The Master and Margarita.” By Joshua Barone The director Sara Holdren has made it pretty clear that she ...

A new production of the opera "Faust," featuring visual elements by artist John Frame, premiered at the Lyric Opera of Chicago in March and will have its West Coast debut at Portland Opera in June.

It’s one of the most famous tales of a bad boyfriend in Western literature—a lonely scholar called Faust makes a deal with the devil and drags everyone else down with him—but in Sara Holdren’s new ...

Gounod's "Faust" is a combination of alluring music - including such hits as Marguerite's "Jewel Song" - and some of the clunkiest, cheesiest dramaturgy in the operatic repertoire. The response from ...

Ran Arthur Braun and Rob Kearley’s updating is broadly contemporary but full of anachronistic details – the chorus could pass for Mad Men extras, though gazing at iPads and occasionally filming ...

Whether viewed as a metaphor or a very real entity, the devil has held a morbid fascination for mankind, probably for as long as there has been thought. The impulse to evil in the world and in ...

When Charles Gounod’s opera “Faust” was placed on Berks Opera Company’s schedule for this summer, the company’s artistic director, Francine Black, and executive director, Tamara Black, decided to go ...

Performances in N.Y.C. Advertisement Supported by Classical By Johanna Keller A METAPHOR for the high cost of overweening desire, Faust is the story of a man who sells out by trading his soul to the ...

When a dying man sells his soul to the Devil for one final chance to be young and in love, he finds out that his search for pleasure is far more complicated than it first seems. Bruno Ravella sparks ...

Days before the Israeli Opera’s March 5 opening of “Faust,” Stefano Poda was feeling pleased. The Italian director, designer and choreographer had been in Tel Aviv for a month, perfecting this ...

Faust is always with us. When it first appears in written form, in 1587, much of the narrative is already here: the signing of a contract in blood, a period of worldly power, including great influence ...