In 1925, Alexander Calder joined the circus—in a sense. As an illustrator for the National Police Gazette, he was dispatched to cover the Ringling Bros. and Barnum & Bailey Circus at New York’s ...

In the battle over artistic access to the world’s blackest blacks, Stuart Semple isn’t backing down. The British artist, who took exception to Anish Kapoor’s exclusive contract to use Vantablack, the ...

The Whitney Museum's Roy Lichtenstein retrospective is a quiet, slippery, and remarkable triumph. You should see it.

London's V&A has acquired an exceptionally rare Victorian selfie by Julia Margaret Cameron's sister Mia Jackson.

The Met’s Krasner-Pollock blockbuster stars priceless loans with enormous insurance values. Will it send Lee Krasner’s market ...

New London fairs like London Invitational and Fair Play are betting on calm, curated, artist-led experiences during Frieze ...

There are two times of the year when London comes alive and its streets are full of buzz (and traffic): the last week of June ...

Lady Aiko unveils the largest canvases of her three-decade career, while GIZ recreates the New York subway tracing graffiti’s ...

In today's Artnet Bulletin: the Van Gogh museum comes to an agreement with the Dutch government and a Kennedy bust disappears ...

This week, art historian Mary Gabriel joins Ben Davis to discuss Lee Krasner (and Jackson Pollock) as a blockbuster show ...

Sotheby’s offers the $100M Baum collection, Santa Fe Invitational debuts, gallery closures, and more art industry intel.

Robert Indiana left nothing to chance for his major museum debut. As one of 15 artists chosen by curator Dorothy Miller for ...