Shah Rukh Khan, the undisputed Badshah of Bollywood, is all set to lend his iconic voice to the Hindi version of Disney's ...

The latest drama by Mohammad Rasoulof won the embattled filmmaker a prize at Cannes, though not before he had to flee his ...

Here are the year’s notable fiction, poetry and nonfiction, chosen by the staff of The New York Times Book Review. By The New York Times Books Staff An incisive new book, “How Sondheim Can ...

And ahead of the finale, the series has done solid work at “yes and”-ing the movie without veering much at all into overtly flattering or catering to its most ardent devotees (or those of ...

Two college freshmen conspire to simultaneously dump their exes in Jordan Weiss’s unremarkable debut feature. By Jeannette Catsoulis The political turmoil of Peru in the 1990s serves as the ...

Parthi is a very different role for RJ Balalji, who's mostly seen in comic shades. He's earnest, but this is not his best ...

We are often told that hell is for sinners and heaven is for the morally upright. In Sidharth Vishwanath’s metaphorically ...

Director Mohammad Rasoulof is banned at home in Iran but continues to make prize-winning work, including his latest thriller, ...

Like Speed, though, this movie plays on his iconic looks rather than his oak-like emoting. There's a major find, too, in the irresistible Carrie-Anne Moss, a majestically wrought combination of ...

Join former prosecutor Andy McCarthy as he delves into the legal ins and outs of the latest Washington dramas with National Review editor in chief Rich Lowry. Capital Record – your weekly ...

The rhythms of bustling, working-class Mumbai are brought to vivid life in the stunning “All We Imagine as Light," writes the reviewer. The visuals continue to impress, but the sequel to the hit ...

Jason Wiese writes feature stories for CinemaBlend. His occupation results from years dreaming of a filmmaking career, settling on a "professional film fan" career, studying journalism at ...