The American Film Institute has zeroed in on a highly decorated pair of Hollywood creatives to honor at its upcoming ...

Released 40 years ago this week, The Wizard of Oz sequel Return to Oz was as scary as it was unconventional. It was a box ...

Award-winning actress Viola Davis and film editor/sound designer Walter Murch will be presented with honorary degrees by the American Film Institute for their impact on the industry, the institute ...

Walter Tandy Murch: Paintings and Drawings, 1925–1967, Rizzoli 2021, text by Walter Scott Murch, Robert Storr, and Winslow Myers' and Judy Collischan, foreword by George Lucas (image courtesy of ...

For Academy Award-winning editor and sound designer Walter Murch, the notion of re-editing "Apocalypse Now" once seemed as likely as the film's Capt. Willard returning to the jungles of Cambodia ...

Walter Murch, who's lived in the Bay Area for more than 30 years, is one of the world's pre-eminent film editor/sound mixer/sound designers. He is a consummate craftsman and innovator who has ...

Walter Murch is extraordinary even within his own field, four times Oscar-nominated for film editing, three times nominated for sound mixing, achieving a landmark double when he won both for his ...

“The Godfather” of modern sound design Walter Murch looks back at the first film he edited for Coppola and his groundbreaking sound work. Shot in the midst of an astonishing burst of ...

A very special Film Stories podcast episode, as Walter Murch talks editing, the Droid Olympics, AI, The Conversation and much ...

Coup 53, a tough-minded documentary debuting online today in the UK and United States from writer/director Taghi Amirani and three-time Oscar winner Walter Murch, unearths key new information ...

Walter Murch, one of Hollywood’s most accomplished film and sound editors, whose illustrious career includes nine Oscar nominations and three wins, also has quite the set of extracurricular ...

Watching a documentary on film history, editor Walter Murch was struck by how different cinematographers tended to frame faces in close-ups similarly. “I noticed something peculiar,” he said. “No ...