[An Artist Every Tuesday] Canadian artist Janet Cardiff sculpts the sound like a goldsmith. Her piece “The Forty-Part Motet” (2001), that she realised in collaboration with the choir of Salisbury, pays tribute to the Renaissance composer Thomas Tallis, known for his complex polyphonic harmonies. In the room, forty voices rise each from a different speaker creating a poetic three-dimensional sound space. The perfect way to end your visit of the exhibition “Being Modern. MoMA in Paris.” | Fondatio